Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet
Desire (10) * Omamori blessed by monks, Kyoto * For wallet

Desire (10) * Omamori blessed by monks, Kyoto * For wallet

monk-des-10
$24.94
Blessed by Japanese monks



Blessed omamori DESIRE to put in your wallet

 

Omamori DESIRE (a single desire for those who receive it) for wallet

*****

IMAGE: The Great Wave off Kanagawa

The Great Wave off Kanagawa, also known as The Great Wave or simply The Wave, is a woodblock print by the Japanese artist Hokusai. An example of ukiyo-e art, it was published sometime between 1830 and 1833 (during the Edo Period) as the first in Hokusai's series Thirty-six Views of Mount Fuji, and is his most famous work. This particular woodblock is one of the most recognized works of Japanese art in the world. It depicts an enormous wave threatening boats near the Japanese prefecture of Kanagawa. While sometimes assumed to be a tsunami, the wave is, as the picture's title notes, more likely to be a large okinami – literally "wave of the open sea”. As in all the prints in the series, it depicts the area around Mount Fuji under particular conditions, and the mountain itself appears in the background.

Copies of the print are in many Western collections, including the Metropolitan Museum of Art in New York City, the British Museum in London, the Art Institute of Chicago, and in Claude Monet's house in Giverny, France. There is also a copy in the Asian Gallery of the National Gallery of Victoria in Melbourne, Australia.

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